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S A N D L E R  H U D S O N  G A L L E R Y


AUGUST 2018 NEWSLETTER


NEWS

Michael Dickey at Fresh Window Gallery
Michael Dickey was recently part of a group show at Fresh Window Gallery in Brooklyn, NY alongside Edwin Bethea, Andrew Guenther, Dan Lucal, Hugh O'rourke, Jamie Powell, Chie Shimizu and Yezica Tutic. The show was curated by Alexander Deschamps and ran from June 8 - July 20
 

Michael Dickey, Comet Series Black, Acrylic on canvas, 48H x 36W inches

Ryan Coleman in Georgia Trend Magazine
The completion of Ryan Coleman's mural at Northside Hospital was mentioned in a recent article in Georgia Trend Magazine, read here!


Ryan Coleman, Northside Hospital Cancer Institute entrance, 2018

P. Seth Thompson in MOCA GA Collection
P. Seth Thompson's work, He's Still There, was recently acquired by The Museum of Contemporary Art Georgia for their permanent collection. Here is an Art in America review which looks at the piece and Thompson's surrounding body of work.


P. Seth Thompson, He's Still There, 2013, Digital print, 23H x 30W inches

Brad Ellis
Brad Ellis will be showing at M. A. Doran Gallery in Tulsa, OK, which happens to be his hometown. The show, titled The Language of Abstraction, opening August 22 and runs through October 5.

Brad Ellis, Dust Up, Encaustic and collage on board, 36H x 48W inches

William Downs at Zuckerman & CAM St. Louis
William Downs will exhibit work in a group show titled Figure Forward at the Zuckerman Museum. The show runs August 25 - December 21 and is curated by Sarah Higgins. Downs will also travel to St. Louis for the installation of Sometimes it hurts, at the Contemporary Art Museum, which will include a 60-foot wall drawing. The show will run from September 7 - December 30.

William Downs, Just too tired to cry2018, Inkwash and spray paint on paper, 40H x 52W inches

EVENTS


Brett Smith
The Portrait of a Landscape Under Construction,
From Scaffold to Thicket We Build
August 3 - September 8
Artist Talk : August 11 |  2-4 PM



Brett Smith,  Marietta, 33.9710, -84.3974, 2018, Oil, oil pastel and wax on panel, 57H x 72W inches
 

Sandler Hudson Gallery is thrilled to present the latest body of work by Brett Smith. The portrait of a landscape under construction, from the scaffold to thicket we build explores our interactions with nature via complex, layered drawings. The starting point for this work is the tension between urban expansion and the parallel struggle of the natural world to grow and flourish. These sizable drawings on panel are initially overwhelming: hints of scaffolding and construction cranes draw the viewer in, and the complexities of Smith’s process invite us to stay and create our own understanding. 

Smith’s work is visually sharp and direct. Using tools to cut into the painted layer of his panels, the exploration of line becomes literally nestled within the wax, oil paint and oil pastels that comprise his surfaces, which are often repainted and reworked. The result is an unmistakably human-made tangle of lines and intersections of varying depths and contrasts. The patterns reference blueprints, they evoke the feeling of a pedestrian surrounded by construction. Sometimes we see cranes, sometimes power line towers, but always a certain entanglement that feels wilder than two-by-fours and steel beams. 

The work imagines our civilized growth as similar to that of a bush or a tree reaching for the sun.  Knowing that these types of growth are often mutually exclusive is the basis for the tension in Smith’s work, not the moral of his story. His “portraits” ask us to reimagine ourselves amidst the wildness of our own growth and to see this growth as a part of the natural world.

B R E T T  S M I T H (b. 1972 in Durban, South Africa) is a self-taught artist living and working in Atlanta. His works are in numerous private and corporate collections. He has participated in many group shows, including at MOCA GA and Hemphill Fine Art in Washington, D.C. This is his second solo show with Sandler Hudson Gallery.

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JULY 2018 NEWSLETTER


NEWS
Krista Clark Receives WAP Fellowship
Krista Clark was recently awarded MOCA GA's Working Artist Project fellowship, along with Myra Greene and Cosmo Whyte! The three artists were chosen by guest curator Allison Glenn. 


Krista Clark, Block by Block, 2018, Paper, insulation, tape, roofing, graphite, construction fencing, tarp, and pastel, 52H x 38W inches
 
Ryan Coleman Beltline Mural
Ryan Coleman recently completed a mural at Highland View Apartments, right off the Beltline! The piece was commissioned by Perennial Properties. Watch him work here!


Ryan Coleman, Mural, Acrylic latex on concrete, 7.5H x 48W feet
 
Kenn Kotara at Upstairs Artspace
Kenn Kotara will be in a three-person show titled Spontaneous Intention at Upstairs Artspace in Tryon, NC. The show also includes Barabara Fisher and Rand Kramer and runs from August 11 - September 21. The opening reception will be held August 11from 5:00 - 7:30 PM. 


Kenn Kotara, Cell 08, 2014, Pastel on paper, 18H x 18W inches
 
Michael Dickey in Smithsonian Craft Show
Congratulations to Michael Dickey for taking home a bronze metal at the Smithsonian craft show! He also recently completed a painting commision for a Hotel in New York, NY, pictured here.

  
Michael Dickey,  Whitescape #751 (triptych), Acrylic , gold leaf , and resin on wood panel, 54H x 54W each (54H x 164W total)
 

Cheryl Goldsleger at Georgia Museum of Art
Cheryl Goldsleger will give a presentation on her work at the Georgia Museum of Art in Athens on Friday, June 15th at 2:00 pm. Goldsleger's works are currently on display at the museum until July 23rd.

Cheryl Goldsleger, Azimuth, 2012, Mixed media on linen, 70H x 62W inches

 


Pinkney Herbert, 30 Year Retrospective

In addition to being awarded a Residency Fellowship at the McDowell Colony in New Hampshire, there was a 30-year survey of Pinkney Herbert's work at Crosstown Arts Memphis titled Distilled, from May 26 - July 5. 
He is also included in the group show Benders at Realestate Gallery in
Brooklyn opening June 9- September 1.


Pinkney Herbert, Full Tilt, 2018, Oil, digital print on wood, 60H x 48W inches
 


Yanique Norman
Big congratulations to Yanique Norman as she nears graduation from her MFA program at the School of the Art Institute of Chicago on July 29th!


Yanique Norman, Last Ladies Presidential Suite, 2017, Collage, graphite, ink, and gouache on paper, 8H x 10W inches
 
William Downs Along a River of Sapphire Pools 2
William Downs will be participating in the group show Along a River of Sapphire Pools 2, at Selena Gallery in New York, NY which is an annual exhibition of limited edition beach towels curated by Michael Fleming and Olivia Sider. 




 
Maggie Davis Review
Maggie Davis' recent installation in ArtFields in Lake City, SC was recently written up on the front page of the paper there!


Maggie Davis, Writing History: The Correspondence of Thomas Jefferson 1802, 2018, Wall installation. 
 

EVENTS

UPCOMING EXHIBITION

Brett Smith

The portrait of a landscape under construction, from
scaffold to thicket we build
August 3 - September 8
Opening Reception Friday, August 3
7-9 PM
Artist Talk Saturday, August 11
2-4 PM


Brett Smith, 33.9710, -84.3974 (Scaffold to Thicket Series), 2017, Oil and wax on panel, 57H x 72W inches


CURRENT EXHIBITION

Pinkney Herbert
Tower of Noise
June 15 - July 28



Pinkney Herbert, Tower of Noise, 2018, Oil, acrylic, digital print on wood panel, 60H x 60W inches

Sandler Hudson Gallery is pleased to announce the latest body of work by abstract painter Pinkney Herbert in his solo show, Tower of Noise. With bold and frenzied compositions, Herbert explores the intensity of life in a bustling city. The artist divides his time between Memphis and New York City and these paintings bring together the disparate sensory experiences of inhabiting each place. The work is filled with tension, and often that tension explodes with a richness of color that is both overwhelming and inviting. 

 

Herbert understands the tension he creates as a dichotomy between the intuitive and intellectual. At times the paintings read almost as maplike—there are lines that look as though they could be pathways, streets, or underground tunnel systems—but where they lead is anyone’s guess. The city-planning motifs that pop up and serve as indicators of practical intelligence, such as a pattern like orange construction fencing, a staircase, or pipes, become enveloped in the blurry and energetic compositions that give us feeling for the environment that only enriches our understanding of our own cityscapes. 

 

Pinkney Herbert (b. 1954) lives and works in Memphis, TN and New York, NY. He received his BA from Rhodes College and his MFA from the University of Memphis. He has received fellowships from the National Endowment for the Arts, the Tennessee Arts Commission, and USIA-Arts America. He has shown in art exhibitions throughout the US, Europe, Japan and Southeast Asia. Permanent collections include the Ogden Museum of Southern Art, New Orleans Museum of Art, Memphis Brooks Museum, and the Arkansas Arts Center. He is a fellow and board member of the Virginia Center for the Creative Arts (VCCA), Amhert, VA, and VCCA-France, Auvillar, France. He is the founder and director of Marshal Arts, an alternative gallery established in 1992 in Memphis, TN. He has taught at the University of Georgia, the University of Tennessee, the Helsinki Academy of Fine Arts, Penland School of Crafts, Arrowmont School, the University of Memphis and the Memphis College of Art. He has been a visiting artist at the Prague Academy of Fine Arts, Hanoi University of Fine Arts, and the Oberfalzer Kuntzlerhaus, Schwandorf, Germany.

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JUNE 2018 NEWSLETTER


NEWS
William Downs at CAM St. Louis and Zuckerman Museum
Pieces from William Downs' recent solo exhibition, Inhuman, (which was reviewed by  Felicia Feaster for the Atlanta Journal-Constitution, and Logan Lockner for BURNAWAY ) will be traveling to the Contemporary Art Museum St. Louis where Downs will also create a live wall drawing for his show Sometimes it hurts, September 7 - December 30. He will also be included in the group show Figure Forward, curated by Sarah HIggins at the Zuckerman Museum August 25 - September 21.


William Downs, Two people in the woods, 2018, Ink wash and spray paint on paper, 50.5H x 38W inches
 
Michael Reese Leads Photo Workshop
Michael Reese will lead a photography class through the Atlanta Photography Group designed for artists trying to finish a photographic project. Through critique, portfolio reviews, and assessment of personal goals, Reese will guide participants.




Michael Reese, Gerrard, 2017, Archival pigment ink on exhibition fiber paper, 28H x 40W inches 
 
Michael Dickey in Smithsonian Craft Show
Congratulations to Michael Dickey for taking home a bronze metal at the Smithsonian craft show! He also recently completed a painting commision for a Hotel in New York, NY, pictured here.

  
Michael Dickey,  Whitescape #751 (triptych), Acrylic , gold leaf , and resin on wood panel, 54H x 54W each (54H x 164W total)

Cheryl Goldsleger at Georgia Museum of Art
Cheryl Goldsleger will give a presentation on her work at the Georgia Museum of Art in Athens on Friday, June 15th at 2:00 pm. Goldsleger's works are currently on display at the museum until July 23rd.

Cheryl Goldsleger, Azimuth, 2012, Mixed media on linen, 70H x 62W inches

 


Pinkney Herbert, 30 Year Retrospective

In addition to being awarded a Residency Fellowship at the McDowell Colony in New Hampshire, there is a 30-year survey of Pinkney Herbert's work at Crosstown Arts Memphis titled Distilled, from May 26 - July 5. 
He is also included in the group show Benders at Realestate Gallery in
Brooklyn  opening June 9- September 1.


Pinkney Herbert, Crossroads, 2018, Oil, digital print on wood, 60H x 48W inches
 


Yanique Norman
Big congratulations to Yanique Norman as she nears her graduation date from her MFA program at the School of the Art Institute of Chicago on July 29th!


Yanique Norman, Last Ladies Presidential Suite, 2017, Collage, graphite, ink, and gouache on paper, 8H x 10W inches
William Downs Along a River of Sapphire Pools 2
William Downs will be participating in the group show Along a River of Sapphire Pools 2, at Selena Gallery in New York, NY which is an annual exhibition of limited edition beach towels curated by Michael Fleming and Olivia Sider. 




 
Maggie Davis Review
Maggie Davis' recent installation in ArtFields in Lake City, SC was recently written up on the front page of the paper there!


Maggie Davis, Writing History: The Correspondence of Thomas Jefferson 1802, 2018, Wall installation. 
 

EVENTS


Pinkney Herbert
Tower of Noise
June 15 - July 28
Opening Reception June 15 
7-9 PM



Pinkney Herbert, Tower of Noise, 2018, Oil, acrylic, digital print on wood panel, 60H x 60W inches

Sandler Hudson Gallery is pleased to announce the latest body of work by abstract painter Pinkney Herbert in his solo show, Tower of Noise. With bold and frenzied compositions, Herbert explores the intensity of life in a bustling city. The artist divides his time between Memphis and New York City and these paintings bring together the disparate sensory experiences of inhabiting each place. The work is filled with tension, and often that tension explodes with a richness of color that is both overwhelming and inviting. 

 

Herbert understands the tension he creates as a dichotomy between the intuitive and intellectual. At times the paintings read almost as maplike—there are lines that look as though they could be pathways, streets, or underground tunnel systems—but where they lead is anyone’s guess. The city-planning motifs that pop up and serve as indicators of practical intelligence, such as a pattern like orange construction fencing, a staircase, or pipes, become enveloped in the blurry and energetic compositions that give us feeling for the environment that only enriches our understanding of our own cityscapes. 

 

Pinkney Herbert (b. 1954) lives and works in Memphis, TN and New York, NY. He received his BA from Rhodes College and his MFA from the University of Memphis. He has received fellowships from the National Endowment for the Arts, the Tennessee Arts Commission, and USIA-Arts America. He has shown in art exhibitions throughout the US, Europe, Japan and Southeast Asia. Permanent collections include the Ogden Museum of Southern Art, New Orleans Museum of Art, Memphis Brooks Museum, and the Arkansas Arts Center. He is a fellow and board member of the Virginia Center for the Creative Arts (VCCA), Amhert, VA, and VCCA-France, Auvillar, France. He is the founder and director of Marshal Arts, an alternative gallery established in 1992 in Memphis, TN. He has taught at the University of Georgia, the University of Tennessee, the Helsinki Academy of Fine Arts, Penland School of Crafts, Arrowmont School, the University of Memphis and the Memphis College of Art. He has been a visiting artist at the Prague Academy of Fine Arts, Hanoi University of Fine Arts, and the Oberfalzer Kuntzlerhaus, Schwandorf, Germany.

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JULY 2017 NEWSLETTER


NEWS

Linda Armstrong in Takt A.I.R. Summer Group Show, Berlin
Linda Armstrong is showing as a part of her artist residency at Takt in Berlin in a group show titled Let Go. She also has a print in the 37th Mini Print International of Cadaques in the Taller Galleria Fort, Barcelona, Spain.
 

Linda Armstrong, Unbound, 2017, Charcoal and ink, 15H x 11W inches

 
Jerry Cullum reviews Mark Leibert's Reflex in ArtsATL
Mark Leibert, currently showing Reflex at Sandler Hudson through July 8, received a wonderful review by critic Jerry Cullum in ArtsATL


Mark Leibert, Tracking, 2017, Oil on canvas, 58H x 44W inches
 
William Downs at Takoja Institute
William Downs will be leading an artists retreat in New Mexico through a
spiritual and ritual drawing experience integrating all of the five senses. The workshop will take place in mid-July at the Takoja Institute.



William Downs, Untitled 12 (The Body Needs Time to Collect and Re-Collect Itself Series), Mixed media on found computer paper, 15H x 10.75W inches
Cheryl Goldsleger in group show Heated Exchange
Cheryl Goldsleger's work will be included in a traveling exhibition titled Heated Exchange at the Visual Art Center in Portsmouth, VA from July 8th-August 30th.

Invitation to Heated Exchange, July 8-August 30, featuring Cheryl Goldsleger
 
Martha Whittington featured on Beltline
Martha Whittington is working on a collaborative piece for the Beltline with Lisa Alembik and Jason Cameron entitled Dream Boats.

Martha Whittington, GS215, 2015, hand-embossed Reeves BFK from hickory plank, grade sawn (b), from "With the Grain" exhibition at Sandler Hudson Gallery,  20H x 20W inches
 
Dynasty reboots with help of Sandler Hudson artists
The 1980s soap opera Dynasty is back, this time with better art. The work of John Belingheri, Michael Dickey, William Downs, Michael T. Hensley, Gary Komarin and Michele Schuff will all be featured in episodes of the show. 

John Beligheri, Totem/Indian Green, 2017, Oil and alkyd in canvas, 48H x 38W inches


Michael Dickey, Accretion Series Sunset Diptych, 2017, Acrylic on canvas, 36H x 48W inches


William Downs, Transformer, Charcoal and ink wash on canvas paper, 12H x 9W inches
 


Michael T Hensley, Pretty Not, 2016, Mixed media on panel, 44H x 46W inches


Gary Komarin, Blue on Creme, 2015, Mixed media on paper, 50H x 24W inches


Michele Schuff, A New Earth, 2017, Encaustic on panel, 36H x 36W x 3D inches
 

 


EVENTS

Mark Leibert: REFLEX 
CLOSING RECEPTION
Saturday, July 8
3-5 PM



Mark Leibert, Gather, 2016, Oil, acrylic, spray paint on canvas, 58H x 44W inches
 

Summer Thunder
July 15-September 9
A selected exhibition of new works by 16 Sandler Hudson Gallery artists featuring:
Scott Bellville
Holle Black
Ryan Coleman
Don Cooper
William Downs
Margaret Fletcher
Kelly Kristin Jones
Amy Landesberg
Donna Mintz
Mario Petrerina
Michael Reese
Kit Reuther
Rocio Rodriguez
Michele Schuff
Brett Smith
P. Seth Thompson


Opening Reception July 14th, 7-9 PM



Don Cooper, 62317, 2017, Acrylic on canvas, 16H x 20W inches

 

 

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S A N D L E R  H U D S O N  G A L L E R Y


JUNE 2017 NEWSLETTER


NEWS

Alex Brewer (HENSE), Ryan Coleman, Greely Myatt, Kit Reuther, Brett Smith, Martha Whittington, Included in Atlanta Designer Hotel Interior
The newly opened Renaissance Atlanta Airport Gateway Hotel features the artwork of Alex Brewer (HENSE), Ryan Coleman, Greely Myatt, Kit Reuther, Brett Smith, and Martha Whittington.



Ryan Coleman, One of nine of murals commissioned by Renaissance Atlanta Gateway Hotel


Left to right: Kit Reuther, Blue Vessel, Oil on canvas, 72H x 52W inches 
Brett Smith, Scaffold & Thickett, Oil and wax on panel, 20H x 16W inches
Martha Whittington, MT 115, Hand-embossed Reeves BFK from hickory, poplar, mahogany planks, inlayed with mahogany wood, 18.5H x 20.5W inches framed 



Alex Brewer (HENSE), Untitled (from Shape series), Monoprint, silkscreen on paper, 40H x 26W inches

HENSE Tackles Four Buildings at a Time
Alex Brewer (HENSE) recently completed a four-building, 170-paint gallon project commissioned by the City of Hagerstown and The Washington County Arts Council, located on the new Cultural Trail.



.
.
Alex Brewer (HENSE), Building Blocks, Acrylic on masonry, 2017, City of Hagerstown Cultural Trail, Hagerstown, MD. Image courtesy of Miguel Martinez

William Downs in Florida Shows
Day & Nights Projects--of which Downs is a forming member (along with Steven L. Anderson, Mark Leibert, and Tori Tinsley) recently showed at Tempus Projects in Tampa, in a show titled The Reroute. William Downs is also included in a group show at the University of Southern Florida Contemporary Art Museum titled Black Pulp! The show pairs historical printed media with contemporary works to explore evolving perspectives of Black identity in American culture and history from 1912 onward.



William Downs, Hermaphrodity, 2017, Ink wash on paper, 12H x 9W inches

Brad Ellis Featured in Books on Abstract/Encaustic Art
Brad Ellis' paintings were chosen for inclusion in Texas Abstract: Modern + Contemporary, published by Fresco Books and Encaustic Painting in the Twenty-First Century, published by Schiffer.

Brad Ellis, Whangdoodle #1, 2014, Encaustic, enamel, oil stick, and collage on canvas, 60H x 48W inches

Greely Myatt Solo Show and Public Commission
Greely Myatt's solo show, Still Straightening Nails, will open at the Gumtree Art Museum in Tupelo, MS this month. In August a portion of the show will travel to Myatt's hometown to the Armory Memorial Regional Museum in Armory, MS. His 
public sculpture for UrbanArt Commission in Audubon Park, Memphis, TN has reached completion. 


Greely Myatt, "Everybody's Talkin'", Detail, one of five units, Public sculpture in Audubon Park, Memphis, TN

Yanique Norman in SAIC Residency
From June through August Yanique Norman will be hard at work in Chicago completing the Summer Residency portion of her M.F.A. program at the School of the Art Institute of Chicago.


Yanique Norman, From upcoming Presidential Series, 2017, Mixed media, Dimensions variable

P. Seth Thompson Curates Exhibition at Zuckerman Museum of Art
"Guest curated by Atlanta-based P. Seth Thompson, 'Racecar' is a multidisciplinary group exhibition that examines the nature of a limited and cyclical existence, and our attempts to escape it." Including work by Kelly Kristin Jones, the exhibition is on view June 3 - July 30. 



P. Seth Thompson at "Racecar"

Ryan Coleman in Gallery Walk at Terminus
Ryan Coleman is included in "Black and White", the upcoming exhibition in Gallery Walk at Terminus. The art space is located in the lobbies of the Terminus 100 and Terminus 200 buildings, the exhibit lasts through July 13.



Ryan Coleman, Genesis (Darkness), 2016, Oil on canvas, 36W x 48H inches


Michael Dickey at The Other Art Fair New York
June 1 through 4, Michael Dickey's work was showcased in The Other Art Fair New York at the Brooklyn Expo Center.


Michael Dickey, Detail of  booth at The Other Art Fair New York

Correction: In last month's newsletter we included a painting by Maggie Davis with the incorrect title. The painting is correctly titled The Garden, 2016, Acrylic on canvas, 55H x 77W inches

EVENTS

Mark Leibert: REFLEX
Artist Talk
Saturday, June 17
2:00 PM


Mark Leibert, Untitled (Blank Series), 2016-17, Oil on canvas, 8H x 6W feet

STUDIO VISIT

The beauty of some studios, like Don Cooper's, is found in the intensity that is apparent in the inspiration the artist keeps pinned to the wall--intensity before brush meets paint.


.
.
Don Cooper's studio, Stone Mountain, Georgia
 
IMPRESSIONS

Mark Leibert: REFLEX
Washes of color (squints of light), color seen through lids barely open, a view that represents only a portion of the landscape or portrait, but is not false.

Large portraits which seem fully realized in comparison to their abstract counterparts influence our understanding of the washes and dapples of color: surfaces that absorb/exude, that tangle with blankness/depth. Are these canvasses close-ups of some forgotten portrait, or all equal portions of an ill-defined whole?
We have been thrown into the search for completeness.

No cynicism. We should see the whole as it fades and the fragments as they yearn to keep the whole from fading. Here we have the opportunity to ask precisely what it is that we want whole. A return to what we understood/took for granted? Is that really more beautiful than what we might make out of the fragments of now? The stakes are high. The fragments are already fading. To see anew is our only chance.
- Sophie Whittemore
 

Mark Leibert, Switch, 2016, Oil and acrylic paint on canvas, 24H x 18W inches
 
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MARCH 2018 NEWSLETTER


NEWS


Ryan Coleman Commission at Northside Hospital
We are excited to announce that Ryan Coleman has received a major commission for a mural at Northside Hospital's Cancer Center through Art Initiative! He has also recently completed a mural at KoruWorks in Marietta.


Ryan Coleman working at Northside Hospital, photo credit: @elprez from @ryancolemanstudio on Instagram


Brad Ellis at Craighead Green Gallery
Brad Ellis will be showing new work at Craighead Green Gallery in Dallas, TX. The show opens March 31 and runs through February 17. 


Brad Ellis, Reverie, 2018, Encaustic, enamel, oil stick, pencil and collage on board, 48H x 60W inches
 

Rocío Rodríguez at Markel Fine Arts
Rocío Rodríguez has a solo show titled Transient Nature at Markel Fine Arts in New York, NY. The show opens March 29 and runs through May 5.


Rocío Rodríguez, Last Stop, 2017, Acrylic on canvas, 52H x 69.5W inches

Alex Brewer (HENSE) in Madrid
Alex Brewer (HENSE) has works in Delimbo Gallery in Madrid. The gallery specializes in graffiti and street art.

Alex Brewer (HENSE), Form Study, 2017, Acrylic on canvas, 60H x 72W inches

Katie Walker in Art Fields
Katie Walker has been accepted to the Art Fields competition and art fair which will take place from April 20 through April 28 in Lake City, SC


Kaite Walker, Hot Pants, 2018, Acrylic on canvas, 36H x 36W inches

Carol Mode at Tinney Contemporary

Carol Mode had a recent show titled Sequences at Tinney Contemporary in Nashville, TN. The show ran from January 6th to February 10th.

Carol Mode,Shapeshifting, 2018, Acrylic on canvas


Cheryl Goldsleger in College Art Association Conference 
Cheryl Goldsleger will be a panelist for the 2018 College Art Association Conference in Los Angeles, CA. Her presentation is titled A Series of Unfortunate Events: Leonardo/ISAST, LASER and Augusta University. She is also sponsoring a lecture at the Morris Museum of Art in Augusta, GA. The lecturer is Carla Shulz, who is the former Chief Curator and Deputy Director-General of the Bavarian State Painting Collections in Munich, Germany. She will be speaking about Georg Baselitz.


Cheryl Goldsleger, Open, 2015, Graphite and mixed media on Dura-lar, 35.5H x 43.5W inches


Donna Mintz Showing at Hambidge Center
Donna Mintz has a piece in an upcoming show titled A Sign of the Times at the Hambidge Center for the Creative Arts and Sciences. The show is a group show of Hambidge Fellows. 



Donna Mintz, Untitled (Portent), 2018, Unique silver gelatin photograph, altered with natural pigments, plus red clay in collage, 6H x 3.5W inches


EVENTS


Kit Reuther
New Abstractions
March 23 - May 5
Opening Reception March 23 | 7-9 PM



Kit Reuther, Abstract #1406, 2017, Oil on canvas, 60H x 60W inches

We are pleased to announce Kit Reuther’s inaugural show at Sandler Hudson Gallery: New Abstractions. These new paintings seem to invite line and color to mingle together without commitment, yet they are endowed with a certain gravity. Edges are rough, lines are loose. Reuther’s white and gray palette has broadened and includes deep, warm hues making the paintings feel earthly—metallic leaf points to some mineral substance rather than a bold brushstroke—in addition to their strongly minimal compositions. This contrast is what makes Reuther’s work richer than either a landscape or a starker minimalism. 

 

The pieces vaguely reference still life compositions. Silhouetted objects are organized across the surface of the canvas, the lines that indicate their edges are rough, neither distinct nor indistinct, and the negative space is “weighted” with marks and scribbles. In this way, the work is balanced. Background and foreground flirt with and dissolved into one another. The paintings are not overly referential, and so are free to create a new visual realm.

 

K I T  R E U T H E R is a self-taught painter and sculptor. Her work has been exhibited in numerous solo and group exhibitions across the United States. She has received fellowships from the Vermont Studio Center, Virginia Center for the Creative Arts, the VCCA International Residency Program in Germany, and the Contemporary Artists Center Residency in Massachusetts. Reuther has multiple pieces in permanent collections including the Tennessee State Museum, the BellSouth Building in Tennessee, the Tennessee Senatorial Office in Washington D.C., and multiple Nordstrom locations (Hawaii, Toronto, Los Angeles, San Francisco, Chicago, and Nashville). She currently works and resides in Nashville, Tennessee.

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MAY 2017 NEWSLETTER


NEWS

Maggie Davis, Corrine Colarusso in Gathered III  at MOCAGA
Maggie Davis and Corrine Colarusso have artworks included in MOCAGA's third installment of Gathered: Georgia Artists Selecting Georgia Artistson view May 16  through July 1. The jury includes Rocio Rodriguez.
 

Maggie Davis, The Garden, 2016, Acrylic on canvas, 55H x 77W inches


Corrine Colarusso, Elementary Geography Mountain, 2015, Acrylic on canvas, 84H X 66W inches 
 
Michael Reese featured in Atlanta Jazz Festival: Forty Years
Michael Reese is one of five artists to be included in a coffee table book and past exhibition centered around the history of the Atlanta Jazz Festival. He also recently gave a talk at the law firm Arnall Golden Gregory, where his work was displayed until the end of April.



MIchael Reese , Sketches Of Pain, 2017, Archival pigment ink print, 22H x 30W inches
 
Brad Ellis chosen for inclusion in the Art in Embassies program
The U.S. State Department's Art in Embassies program chose Brad Ellis' work to display in Uganda in the home of the ambassador there. His artistic practice was also covered in the current issue of Advocate magazine, a publication covering the local scene in Dallas.



Art in Embassies Catalog Cover, Brad Ellis, Dash #2, 2012, Encaustic and collage on canvas, 48H x 48W inches
 
Cheryl Goldsleger at Art New York Fair
Cheryl Goldsleger's work will be shown in the Art New York Fair at Pier 94 in NYC from May 3 through May 7
. Her drawings are also featured in multiple upcoming publications including an art textbook and the cover of a book by philosopher Kojin Karatani.



Text Book Cover, Cheryl Goldsleger, Indeterminate, 2016, Mixed media and graphite on linen, 54H x 54W inches
 
Greely Myatt in Posit Magazine
Greely Myatt's work is featured in the current issue of Posit Magazine, an online publication dedicated to literature and art. He is also completing a public sculpture for UrbanArt Commission opening in May in Audubon Park, Memphis, TN.

Maybe I Can Paint Over That (Sandler Hudson Gallery, Atlanta, GA, 2016)

Maybe I Can Paint Over That (Sandler Hudson Gallery, Atlanta, GA, 2016)

Maybe I Can Paint Over That (Sandler Hudson Gallery, Atlanta, GA, 2016)

Maybe I Can Paint Over That (Sandler Hudson Gallery, Atlanta, GA, 2016)


Greely Myatt, Maybe I Can Paint Over That, 2016, Installation view

 


Yanique Norman in BURNAWAY'S Spring Studio Soiree!
On May 5 at Westview Studios, BURNAWAY will host viewings of selected artist's studios, including that of Yanique Norman.



Yanique Norman, The Rotted Seas 3, 2011, Graphite, collage, and gouache on paper, 20H x 30W inches  
 


Michael T. Hensley work sold to Ralph Lauren Corporate Collection
The Ralph Lauren headquarters in Mexico now features a painting by Mike Hensley as a part of their corporate collection. 

   

      Michael Hensley, Nocturnal Emissary, 2017, Mixed media on canvas, 64W x 74H inches


EVENTS


Mark Leibert: Reflex
May 13 - June 24
Opening Reception: May 12, 7:00 - 9:00 PM



Mark Leibert, Gather, 2016, Oil, acrylic, spray paint on canvas, 58H x 44W inches
 

Reflex
a thing that is determined by and reproduces the essential features or qualities of something else

“He felt a dull pain in his chest—not exactly pain, but more like the difference in air pressure at the point where the material and the immaterial meet.”

Haruki Murakami, 1Q84

These paintings and works on paper explore the liminal space between the material and immaterial. Examining surface and interior, figuration and abstraction, the images present spaces both immersed with and emptied of subjects. Some of the figures seem almost ghostly, as though poised to appear or disappear, with the tain, or lusterless backing of the mirror, revealing them as little more than apparitions. These images simultaneously reflect the surfaces of the contemporary subject, public perception, self-projection, and yet by their nature are a document, something relegated to memory. 

My paintings and works on paper are inspired by the “snow” of empty television channels on CRT screens, “ruined” rolls of film, the process colors of imperfect Polaroids, glitchy VHS tapes, and the irregular application of photo emulsion. These partial or imperfect images, whether unrealized or deteriorating, have always captivated me. But above all else, they are inspired by my love of paint, and its unparalleled ability to reflect and playfully distort contemporary and historical visual culture. 

Mark Leibert was born and raised in Honolulu and now lives and works in Atlanta. His works explore an other-worldly space that spans abstraction and figuration. His practice includes painting, drawing, time-based works, photography, and installation. His paintings were selected for No. 58 of New American Paintings, the juried exhibition-in-print. He has taught at Anderson Ranch Arts Center, Georgia State University, Georgia Institute of Technology, and James Madison University. His work is in private and corporate collections, including High Museum of Art, Capital One, and The Ritz- Carlton, among others. He is a co-founder of Day & Night Projects, an Atlanta artist-run exhibition space. He received a BA from University of California, Berkeley and an MFA from Rochester Institute of Technology. Leibert is represented by Sandler Hudson Gallery.

 

IMPRESSIONS


P. Seth Thompson: Insufficient Data for an Image
Stare at P Seth Thompson’s glossy prints clustered together. There’s something in the streaks of color, the image resolution numbers, zoom on forgotten text usually hidden in the corner.
These are the undergarments of the internet, the bits and pieces meant to be hidden, avoided, eyes averted. We thought nothing was sacred (secret) anymore, yet we discover the internet’s shyness, its modesty. That which gives us information—so much that it is obscene, even it has private parts. The paradox feels victorious, and then sad.
We’re left to wonder whether information ever revealed truth, whether transparency ever meant anything other than pornography.

On View at Sandler Hudson Gallery through May 6


P. Seth Thompson, The One-Eyed Man is King, 2016-2017, Archival pigment print mounted to Dibond, Edition of 3, 19H x 13W inches


STUDIO VISIT

Peering behind the scenes in the studio of an artist like Scott Belville reminds us of the immense beauty that can precede the completion of a work:
 
Scott Belville's Studio in Athens, Georgia 
Visit us at: sandlerhudson.com
Email us at: gallery@sandlerhudson.com
Call us at: 404.817.3300

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S A N D L E R  H U D S O N  G A L L E R Y


AUGUST 2017 NEWSLETTER


NEWS


Michael Hensley in Seattle Art Fair
Michael Hensley's work will appear at the Seattle Art Fair from August 3-6


Michael Henseley, Free Thrower, 2017, mixed media on canvas, 64H x 74W inches
 

Ryan Coleman receives City of Atlanta Commission!
The City of Atlanta has commissioned Ryan Coleman to bring some optimism, excitement and wonder via a colorful mural in the Broad Street Plaza near Five Points Marta station, the city's highest used bus and rail station. Production is set to begin in a few weeks.


Ryan Coleman, digital rendering
 

Lisa Tuttle in Atlanta Celebrates Photography Festival
The photography of Lisa Tuttle will be exhibited during the Atlanta Celebrates Photography festival in two places: Atlanta Photography Group's Airport Show at Hartsfield-Jackson Airport and What the World Needs Now, at B-Complex

 
Lisa Tuttle, C'est elle qui..., 2017, Editioned archival ink jet print, 20H x 16W inches
 
Donna Mintz at Rivendell Writers' Colony
Donna Mintz is currently in residence at the Rivendell Writers' Colony in Sewanne, TN. She is working on a book exploring the life and work of Jame Agee from the point of view of works of art, particularly The Lightning Field, by Walter De Maria. Mintz recently received her MFA from The School of Letters of the University of the South.
 
Donna Mintz, Untitled (Poem #28), 2013-16, unique silver gelatin print, collage on paper, Approximately 5H x 2W inches
 
Alex Brewer (HENSE) gets shout out in Architectural Digest
A painting by Alex Brewer (HENSE) that was commissioned for the Hawkins Ferry House in Grosse Point, MI serves as the eye-candy in a photo that went up of the house on Architectual Digest's Instagram account.
 
Hawkins Ferry House, featuring Alex Brewer (HENSE), Subtraction, 2015, Acrylic on canvas, 86H x 176W inches

 


 


EVENTS


Upcoming Exhibition
Amber Boardman: Regrowth

September 8 - October 14
Opening Reception September 8, 6 - 8 PM



Amber Boardman, Regrowth, 2016, oil on panel, 17H x 15.5W inches



Current Exhibition
Selected Works: Summer Thunder
July 15-September 2



Don Cooper, 62317, 2017, acrylic on canvas, 16H x 20W inches

A selected exhibition of new works by 17 Sandler Hudson gallery artists featuring: 

Scott Bellvile
Holle Black
Ryan Coleman
Don Cooper
William Downs
Margaret Fletcher
Kelly Kristin Jones
Amy Landesberg
Donna Mintz
Yanique Norman
Mario Petrerina
Michael Reese
Kit Reuther
Rocio Rodriguez
Michelle Schuff
Brett Smith
P. Seth Thompson



CORRECTION


Please excuse the overlooked and incorrect DATE and YEAR in The Newsletter sent yesterday.
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Visit us at: sandlerhudson.com
Email us at: gallery@sandlerhudson.com
Call us at: 404.817.3300

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