Ruediger Schoell
| Shoell reduces his visual language to anonymous, uniformly tiny particles that nonetheless, in their shape, retain a heart of individuality. The genesis which occurs through the fine varnishing technique and at the same time, the rougher pigmentation, embraces a streaky, flikering materiality. It's like an ordered primordial state, an anology to the division of cells and the porential development of an individual.
If we approach nearer, that is, right up to the surface of the paintings, they are skin, matter, porousness, raw, and fine all in one. The veils become membranes, transparent cell walls, or, reminiscent of circut diagrams, anonymous and uniform in thier quality of form. -Erwin Leber |
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